Here is a list of assignments and exercises for the course. Please refer to the syllabus for due dates.
- Assignment 1: Recording
Record several types of sound material for use in later assignments. Learn to route audio signals through an analog mixer to speakers and to the computer, optimzing gain along the signal path.
- Assignment 2: Editing
Construct phrases using the sounds recorded for the last assignment. Work in a digital audio workstation, chopping up your sound material, shaping dynamics, using effects.
- Assignment 3: Short Piece
Compose a 2-3 minute piece using the sounds and phrases developed earlier. Explore pitch-shifting and time-scaling your audio, and try some processing techniques using granulators, resonators, and filter banks, in addition to more standard production tools, such as EQ and reverberation.
- Assignment 4: MIDI Sequence
Learn how to record and edit MIDI tracks, using virtual instruments as sound sources. Work with quantization, humanization, velocity and duration changes, tempo changes, and synthesizer parameter automation.
- Exercise A: Basic Patch
Using BEAP in Max, construct a version of the subtractive synthesis “basic patch” discussed in class.
- Exercise B: Modulation
Create a synthesis patch employing modulation of pitch and other parameters.
- Final Project
Compose a 4-6 minute fixed-media piece in 5-channel surround sound, using the technical resources covered in this course. We will hear your pieces in an informal class concert.