Visit the Jacobs School of Music to enjoy concerts of electronic music, including compositions for instrument and electronics, multichannel fixed media works, data-driven instrument performance, and audio-visual pieces. Concerts in Auer Hall are held every December and April. Other concerts happen earlier in the fall and spring semesters.
CECM Concerts
CECM Spring 2024 Concert
Description of the video:
Text for the first piece, by Daixuan Ai:
We wish to acknowledge and honor the indigenous communities native to this region and recognize that Indiana University Bloomington is built on indigenous homelands and resources. We recognize the Miami, Lenape, Bod and Sauana people as past, present, and future cats of this land. For the next few minutes, I will guide you through a meditation and improvisation to center our attention and bring our awareness to the here and now to the space we're in to the music we're sharing together. Before we venture into the rest of this program, the meditation will start after the bell sound. Find a comfortable position to sit in, make sure your back is straight, but not tense, and that you feel relaxed and alert. Now, slowly close your eyes. We're going to begin with a breathing exercise. Breathe in with a count of four, breathe out with a count of eight. I two, three, four, out, two, three, four, five, six, seven, eight, I two, three, four, out, two, three, four, five, six, seven, eight. In two, three, four, two, three, four, five, six, seven, eight, Now, let your breath return to its natural rhythm. Notice how the cycle of your breath is like the ocean tide. It comes and goes, and no two breaths are the same. Your breath and mind like the ocean are constantly in a state of change. Just like the land we are living on, which has witnessed countless cycles of day tonight, spring to winter, birth to death. Compared to the history of the land we currently stand on, the countless stories of people who have lived many years before us and who will live many years after us. Our life is a speck of sand on the seashore of time of this universe. Yet, each of us is indispensable and replaceable because of our connections to each other. The web of connections we share with countless lives before us, after us, or concurrent with us is beautifully illuminating like the dark night sky. To visualize this, I now invite you to open your eyes momentarily and take out the instrument you picked up earlier. If you have a Columba improvised by plucking the metal pieces. Make sure to let go of the metal piece and let it fly after plucking. If you have a prayer bowl, put the bowl on the cushion, gently strike the side of the bowl with a wooden stick and let it ring fly before striking again. I will lead you through some contemplations during the improvisation. But please feel free to keep playing your instrument as I speak or take breaks as you need to. You may begin your improvisation if you haven't already. As you are playing, think about a person who is no longer with you. Yet who has made a significant impact in your life. What was your connection to them? Now, think about a person whose life will continue after yours. How old are they now? Think about someone who is close to you, someone you love. Send that person the most beautiful energy from your heart center. Wish them happiness and health. Now think of someone you have met perhaps just once. Someone you don't really know. Send that person the most beautiful energy from your heart center. Wish them happiness and health. Now, think of someone whose presence in your life is tense or troubling. Someone you may not like. Send that person the most beautiful energy from your heart center. Wish them happiness and health. Now, open your eyes. Turn your body towards a neighbor, greet them with a smile. You may know each other, or you may be total strangers. Either way, can you find one thing you have in common with them? Try communicating with them using your instrument. Human connection is not restricted by what language we speak, what culture we come from, what we look like, what we believe. We are all just a single star in a boundary less sky. One tiny speck of sand on the seashore. But we are never isolated, never alone. Acknowledge your neighbor and silently say, I wish you happiness and health. Oh. Okay. Take about a minute to slowly fade out your Columba or prayer bowl improvisation. And once you're finished, close your eyes and hum with the drone. You can pause the humming and breathe whenever you need to. Slowly let go of the humming and open your eyes when you feel ready to do so. Thank you for joining us for this brief meditation and improvisation. Please gently return your instruments to the boxes that are being carried by our generous helpers or hold onto them and return during intermission. We hope the clarity and presentness you have cultivated in the last few minutes will help you experience the rest of this concert in a more mindful way. Remember that we are all just humans whose existence on this Earth is so brief. But the connection we share with each other makes our lives meaningful. I hope today's concert will also be one of those meaningful encounters. No need to app, simply feel gratitude for the contemplation of this meditation and improvisation together. We will now transition into the next performance.
Program
Press the three-line menu in the upper-left corner of the video for bookmarks to the pieces below. Please read the program notes.
00:00:07 | Daixuan Ai: Ceremony for Earth (Han Lash, narrator; Quincy Tilles, violin; Micah Simmons, electric guitar; Daixuan Ai, live electronics) |
00:12:42 | Tony Mastroberti: Sunshower (Eudora Tsai, marimba) |
00:19:50 | Corey Chang: Blurrd Be My Vision, My Thoughts (Corey Chang, piano) |
00:33:07 | Huan Sun: Shards of Distortion (Thomas Frost, percussion) |
00:41:47 | Minho Kang: Hiccups (Renae Dishman, clarinet) |
00:48:03 | Xinyuan Deng: Whispers in Motion (Lila Hodgin, dancer; Xinyuan Deng, kalimba) |
00:58:20 | Yao Hsiao: Daji (Yao Hsiao, voice) |
01:04:52 | Sam Parnin: Defy Gravity (Sam Parnin, steel pan) |
01:13:32 | Yoonjae Choi: Digital Rain |
01:22:33 | Daroo Lee: I can’t close my eyes (Daroo Lee, piano) |
01:33:40 | Sy Anderson: Meaning (Sy Anderson, speaker) |
01:40:52 | Nate Sassoon: Theme and Variations (Destin Wernicke, snare drum) |
CECM Fall 2023 Concert
Description of the video:
There is no transcription for this concert.
Program
Press the three-line menu in the upper-left corner of the video for bookmarks to the pieces below. Please read the program notes.
Alexander Toth: bug garden (installation outside of concert hall) | |
00:03:59 | Huan Sun: Echoes of Ink and Flow (Huan Sun, live electronics; Zitao (Victor) Zhang, custom glove controller designer) |
00:09:32 | Minho Kang: The Myst |
00:15:49 | Yeoul Choi: Palette (Thomas Frost, snare drum; Yeoul Choi, live electronics) |
00:27:36 | Jacob Wilkinson: Bone (Katharina Schmid-Schmidsfelden, narrator; Jacob Wilkinson, narrator, live electronics) |
00:40:35 | Yoonjae Choi: Horizon is Too Dark (Nate Sassoon, piano; Yoonjae Choi, live electronics; Sam Parnin, synthesizer) |
00:55:04 | Yao Hsiao: Daiyu (Yao Hsiao, iPad, voice) |
01:02:31 | Xinyuan Deng: 触 (Chù) (Xinyuan Deng, Wacom tablet) |
01:14:13 | Alexey Logunov: Unknown worlds (Marienn Sánchez, violin) |
01:22:58 | Nate Sassoon: Now it is time to begin |
01:26:57 | Sam Parnin: Engagement Quota (Ethan Wood, trumpet) |
01:37:29 | Anne Liao: Tile Contact (Anne Liao, ceramic tile with contact microphone, live electronics and visuals) |
CECM Spring 2023 Concert
Description of the video:
There is no transcription for this concert.Program
Press the three-line menu in the upper-left corner of the video for bookmarks to the pieces below. Please read the program notes.
00:02:38 | Chloe Liuyan Liu: Culture is the Body IV: Toward the Ground (Drew Neal, percussion; Chloe Liuyan Liu, electronics) |
00:12:28 | Eunji Lee: Memories in Summer Night (Eunji Lee, piano) |
00:20:23 | hunter t. johnson: i never had hope in another (hunter t. johnson, iPhone) |
00:27:32 | Isaac Smith: Monomyth (Jillian Boes, alto voice) |
00:35:21 | Alexander Toth: binalry rivocular (Robert Hurley, cello; Alexander Toth, electric guitar) |
00:45:39 | Ariel Sol Bertulfo Schwartz: Open Road (Argos Percussion: Thomas Frost, Drew Nearl, Carl Tafoya, Conner Viets) |
00:55:31 | Xinglan Deng: Bird, Water, Sin (Xinglan Deng, voice and camera controller) |
01:01:55 | Xiaogang Xiang: Asphyxia (Muyuan Liu, voice) |
01:10:25 | Huan Sun: And the glaciers echoed (Conner Viets, bass drum) |
01:20:04 | Alexey Logunov: Let’s play together? (Alexey Logunov, piano) |
01:28:56 | Zouning (Anne) Liao: hypothetical particles (Zouning (Anne) Liao, light.void~) |
01:36:27 | Jonathan Rickert: Epichrome (Jonathan Rickert, Arturia MiniLab MkII) |
CECM Fall 2022 Concert
Description of the video:
Use the CC button at the bottom of the video frame to view a transcript.Program
Press the three-line menu in the upper-left corner of the video for bookmarks to the pieces below. Please read the program notes.
00:03:42 | Shuyu Lin: A Dream of Butterfly, a Butterfly of Dream (蝶之梦, 梦之蝶) (Shuyu Lin, Leap Motion, percussion, and visuals) |
00:12:54 | Chloe Liuyan Liu: Culture is the Body III, Our Energy (Chloe Liuyan Liu, Gametrak; Katelyn Connor, Gametrak and choreography) |
00:26:09 | Walker Smith: It’s all in your head(Walker Smith, narrator) |
00:38:20 | Xiaogang Xiang: Mianeow |
00:50:10 | Kyle Brooks: Flight (Kyle Brooks, alto saxophone and visuals) |
00:57:20 | Hunter T. Johnson: what does a phone call mean to you? (hunter t. johnson, iPhone) |
01:05:18 | Ariel Sol Bertulfo Schwartz: Beat/Switch/Niche/Step (Bryson Karrer, violin; Delia Li, violin; Charles Kanne, viola; Jaemin Lee, cello) |
01:12:19 | Zouning Liao: These Creatures, Unseen |
01:28:37 | Jee Won Kim: Subtitles (Jonghwan Kim, alto saxophone; Jee Won Kim, live electronics and visuals) |
01:39:09 | Corey Chang: Agents of Paradise (Corey Chang, Leap Motion) |
01:51:22 | Alexander Toth: argumentum ornithologicum (Alexander Toth, Arturia MiniLab MkII) |
02:05:38 | Evan Fontaine: Study Guide to the Radio (Saxophone quartet: Kash Sewell, soprano; Jonghwan Kim, alto; Josh Flores, tenor; Phil Black, baritone) |
CECM Spring 2022 Concert
Description of the video:
There is no transcription for this concert.Program
Press the three-line menu in the upper-left corner of the video for bookmarks to the pieces below. Please read the program notes.
00:00:04 | Younje Cho: Into the Water (Younje Cho, Wacom tablet) |
00:12:36 | Xiaogang Xiang: The Impression of Jiazhou (Jiajun Hou, alto saxophone; Xiaogang Xiang, live electronics) |
00:21:35 | Pierce Baruk: Lost and Found |
00:27:44 | Walker Smith: Chromatic Chemistry: The Periodic Table in Light and Sound (Walker Smith, narrator) |
00:42:32 | Luka Chazal-Slote: Awakening the Machine |
00:46:38 | Jeff Sabol: Keyboard Sonata (Jeff Sabol, laptop) |
00:54:08 | Xinglan Deng: Sketch (Xinglan Deng, solo voice and Gametrak controller) |
01:00:26 | Isaac Smith: Formation (Isaac Smith, solo voice, found objects, Wiimote controller) |
01:07:52 | Benjamin Rieke: MLP Study 1 |
01:13:58 | Zouning (Anne) Liao: Free Fall (Anne Liao, iPad) |
01:22:42 | John Gibson: In Summer Rain |
01:32:44 | Seare Ahmad Farhat: Zangha-ye Khurshid (solo voice, Gametrak controller) |
CECM Fall 2021 Concert
Description of the video:
Use the CC button at the bottom of the video frame to view a transcript.Program
Press the three-line menu in the upper-left corner of the video for bookmarks to the pieces below. Please read the program notes.
00:02:58 | Xinglan Deng: How the forest thinks (Ryan Chao, percussion) |
00:14:02 | Charles Banta: Exquisite Corpse |
00:19:07 | Shuyu Lin: What are you, a composer, conductor, or singer? (Shuyu Lin, voice and Leap Motion controller) |
00:32:24 | Younje Cho: CO (Jaden Tong, violin) |
00:42:46 | Xiaogang Xiang: The Collision of Colors |
00:50:03 | Pierce Baruk: Daydreaming (Pierce Baruk, viola and Launch Control) |
00:57:47 | Walker Smith: The Sound of Molecules (Walker Smith, narrator) |
01:13:26 | Seare Ahmad Farhat: حور //ینج (Nathan Hurst, snare drum) |
01:23:44 | Zouning (Anne) Liao: Flow (Will Kline, double bass) |
01:33:56 | Duncan Henderson: Stasis |
01:40:22 | Isaac Smith: Call to (Work/Worship/War) (Isaac Smith, tuba) |
01:51:44 | Benjamin Rieke: melting (Noah Pujol, clarinet; Yurong Bao, clarinet; Jake Pierson, bass clarinet; Garrett Nichols, contrabass clarinet; Bryson Karrer, violin; Maeve Whelan, viola; Jaemin Lee, cello; Grant Thomas, double bass; Ben Rieke, keyboard; Andrew Downs, conductor) |
CECM Spring 2021 Concert
Description of the video:
There is no transcription for this concert.
Program
Press the three-line menu in the upper-left corner of the video for bookmarks to the pieces below. Please read the program notes.
00:00:05 | Tim Reinholz: Several Minutes (Tim Reinholz, viola) |
00:04:36 | Anne Liao: Flip on, Airwaves (Anne Liao, Arturia MiniLab and Max) |
00:12:21 | Yi-De Chen: The Deep Ocean (Yuseok Seol, piano) |
00:19:04 | Joey Miller: Infraxion (Joey Miller, Gametrak and Max) |
00:26:21 | Shuyu Lin: Reaction, Reflection (Mingyuan Yang, bassoon) |
00:34:29 | Oliver Kwapis: Talk-back (Oliver Kwapis, Gametrak and Max) |
00:44:29 | Patrick W. Lenz: Framework (Jane Larson, viola; Patrick W. Lenz, live painting) |
00:56:56 | Chi Wang: Action-Reaction (Chi Wang, two Gametraks, Max, and Kyma) |
CECM Fall 2020 Concert
Description of the video:
There is no transcription for this trailer.
90-second Trailer
View the full concert below. Except where noted, composers performed their own pieces.
Description of the video:
There is no transcription for this concert.
Program
Press the three-line menu in the upper-left corner of the video for bookmarks to the pieces below. Please read the program notes.
00:00:06 | Chi Wang & CECM Ensemble: Kinesthetic Modes of Enunciation |
00:13:25 | Anne Liao: Water, Bowls and Rocks (Wacom Tablet, Max, Kyma) |
00:21:02 | Ben Cordell: Turbulence (audiovisual) |
00:24:31 | Oliver Kwapis: Clock, Lightning Bolt, Volume, I Love You So Much (nanoKONTROL2 & Max) |
00:33:19 | Yuseok Seol: Lullaby (Eun-Sun Jung, gayageum) |
00:42:50 | Shuyu Lin: Feather Mallet (Wii Remote, Max, Kyma) |
00:50:08 | Yi-De Chen: The Changeable Weather (nanoKONTROL2, Max, Kyma) |
00:55:21 | Kevin Kopsco: Supriem (BeatStep Pro, Max, Kyma; with Elaine Martir, flute) |
01:02:03 | Joey Miller: Telesomnia (Garrett Fasig, saxophone; Garrett Spoelhot, synthesizer; Garrett Treanor, voice; Garett Dwyer, GameCube; Joey Miller, GameCube; Kathryn Janko, director; Sloan Welsch, head audio engineer) |
CECM Fall 2019 Concert
Description of the video:
There is no transcription for this concert.
Program
Press the three-line menu in the upper-left corner of the video for bookmarks to the pieces below. Please read the program notes.
00:00:10 | Shuyu Lin: Dimness (Ryan Chao, percussion; Shuyu Lin, electronics) |
00:09:45 | Alex Tedrow: Biff (Jake Simons, baritone saxophone) |
00:18:20 | Lok-Hei Tam: Glorianthemica (8-channel fixed media) |
00:29:30 | Ben S. Jacob: For Who Can Stop the Wind, for Hyperaeolian Harp (Ben S. Jacob, GameTrak) |
00:37:45 | Yuseok Seol: Tortoise’s Impromptu (Chase Fox, bassoon) |
00:46:30 | Jung-Woong Oh: Atonement (8-channel fixed media) |
00:54:35 | Felipe Tovar-Henao: «Umbra» — Improvisation for Handmade Photo-Controller (Felipe Tovar-Henao, light.void~) |
01:02:20 | Lang Chen: Yup, I am doing this (8-channel fixed media) |
01:10:10 | Patrick Lenz: Sleep Talker (John Cloeter, trumpet) |